VOLUME I. Acknowledgments Notes on Contributors. Introduction ( Julia M. Wright, Dalhousie University ). Part I: The Middle Ages. 1. Táin Bó Cúailnge ( Ann Dooley, University of Toronto ). 2. Finn and the Fenian Tradition ( Joseph Falaky Nagy, University of California, Los Angeles ). 3. The Reception and Assimilation of Continental Literature ( Barbara Lisa Hillers, Harvard University ). Part II: The Early Modern Era. 4. Bardic Poetry, Masculinity, and the Politics of Male Homosociality ( Sarah E. McKibben, University of Notre Dame ). 5. Annalists and Historians in Early Modern Ireland, 1450—1700 ( Bernadette Cunningham, Royal Irish Academy, Dublin ). 6. "Hungry Eyes" and the Rhetoric of Dispossession: English Writing from Early Modern Ireland ( Patricia Palmer, King′s College London ). 7. Kinds of Irishness: Henry Burnell and Richard Head ( Deana Rankin, Royal Holloway, University of London ). Part III: The Eighteenth Century. 8. Crossing Acts: Irish Drama from George Farquhar to Thomas Sheridan ( Helen M. Burke, Florida State University ). 9. Parnell and Early Eighteenth–Century Irish Poetry ( Andrew Carpenter, University College Dublin ). 10. Jonathan Swift and Eighteenth–Century Ireland ( Clement Hawes, University of Michigan ). 11. Merriman′s Cúirt An Mheonoíche and Eighteenth–Century Irish Verse ( Liam P. Ó Murchú, National University of Ireland, Cork ). 12. Frances Sheridan and Ireland ( Kathleen M. Oliver, University of Central Florida ). 13. "The Indigent Philosopher": Oliver Goldsmith ( James Watt, University of York ). 14. Edmund Burke ( Luke Gibbons, National University of Ireland, Maynooth ). 15. The Drama of Richard Brinsley Sheridan (Robert W. Jones, University of Leeds ). Part IV: The Romantic Period. 16. United Irish Poetry and Songs ( Mary Helen Thuente, North Carolina State University ). 17. Maria Edgeworth and (Inter)national Intelligence ( Susan Manly, University of St Andrews ). 18. Mary Tighe: A Portrait of the Artist for the Twenty–First Century ( Harriet Kramer Linkin, New Mexico State University ). 19. Thomas Moore: After the Battle ( Jeffery Vail, Boston University ). 20. The Role of the Political Woman in the Writings of Lady Morgan, Sydney Owenson ( Susan B. Egenolf, Texas A&,M University ). Part V: The Rise of Gothic. 21. Charles Robert Maturin: Ireland’s Eccentric Genius ( Robert Miles, University of Victoria ). 22. Joseph Sheridan Le Fanu: Gothic Grotesque and the Huguenot Inheritance ( Alison Milbank, University of Nottingham ). 23. A Philosophical Home Ruler: The Imaginary Geographies of Bram Stoker ( Lisa Hopkins, Sheffield Hallam University ). Part VI: The Victorian Era. 24. Scribes and Storytellers: The Ethnographic Imagination in Nineteenth–Century Ireland ( Stiofán O′Cadhla, University College Cork ). 25. Reconciliation and Emancipation: The Banims and Carleton ( Helen O′Connell, Durham University ). 26. Davis, Mangan, Ferguson: Irish Poetry, 1831–1849 ( Matthew Campbell, University of Sheffield ). 27. The Great Famine in Literature, 1846 –1896 ( Melissa Fegan, University of Chester ). 28. Dion Boucicault: From Stage Irishman to Staging Nationalism ( Scott Boltwood, Emory &, Henry College ). 29. Oscar Wilde′s Convictions, Speciesism, and the Pain of Individualism ( Dennis Denisoff, Ryerson University, Toronto ). VOLUME TWO. Introduction ( Julia M. Wright, Dalhousie University ). Part VII: Transitions: Victorian, Revival, Modern. 30. Cultural Nationalism and Irish Modernism ( Michael Mays, University of Southern Mississippi ). 31. Defining Irishness: Bernard Shaw and the Irish Connection on the English Stage ( Christopher Innes, York University, Toronto ). 32. The Novels of Somerville and Ross ( Vera Kreilkamp, Pine Manor College ). 33. W.B. Yeats and the Dialectics of Misrecognition ( Gregory Castle, Arizona State University ). 34. John Millington Synge –– Playwright and Poet ( Ann Saddlemyer, University of Toronto ). 35. James Joyce and the Creation of Modern Irish Literature ( Michael Patrick Gillespie, Florida International University ). Part VIII: Developments in Genre and Representation after 1930. 36. The Word of Politics/Politics of the Word: Immanence and Transdescendence in Sean O′Casey and Samuel Beckett ( Sandra Wynands, Zayed University, Dubai ). 37. Elizabeth Bowen: A Home in Writing ( Eluned Summers–Bremner, University of Auckland, New Zealand ). 38. Changing Times: Frank O′Connor and Seán O′Faoláin ( Paul Delaney, Trinity College Dublin ). 39. "Ireland is small enough": Louis MacNeice and Patrick Kavanagh ( Alan Gillis, University of Edinburgh ). 40. Irish Mimes: Flann O’Brien ( Joseph Brooker, Birkbeck College, University of London ). Part IX: Debating Social Change after 1960. 41. Reading William Trevor and Finding Protestant Ireland ( Gregory A. Schirmer, University of Mississippi ). 42. The Mythopoeic Ireland of Edna O′Brien′s Fiction ( Maureen O′Connor, Mary Immaculate College, Limerick ). 43. Anglo–Irish Conflict in Jennifer Johnston′s Fiction ( Silvia Diez Fabre, University of Burgos, Spain ). 44. Living History: The Importance of Julia O′Faolain′s Fiction ( Christine St Peter, University of Victoria, Canada ). 45. Holding a Mirror Up to a Society in Evolution: John McGahern ( Eamon Maher, Institute of Technology, Tallaght, Dublin ). Part X: Contemporary Literature: Print, Stage, and Screen. 46. Brian Friel: From Nationalism to Post–Nationalism ( F.C. McGrath, University of Southern Maine ). 47. Telling the Truth Slant: The Poetry of Seamus Heaney ( Eugene O′Brien, Mary Immaculate College, University of Limerick ). 48. Belfast Poets: Michael Longley, Derek Mahon, and Medbh McGuckian ( Richard Rankin Russell, Baylor University, Texas ). 49. Eiléan Ní Chuilleanáin′s Work of Witness ( Guinn Batten ). 50. Eavan Boland′s Muse Mothers ( Heather Clark, Marlboro College, Vermont ). 51. John Banville′s Dualistic Universe ( Elke D′hoker, University of Leuven, Belgium ). 52. Between History and Fantasy: The Irish Films of Neil Jordan (Brian McIlroy, University of British Columbia ). 53. "Keeping That Wound Green": The Poetry of Paul Muldoon ( David Wheatley, University of Hull ). 54. Nuala Ní Dhomhnaill and the "Continuously Contemporary" ( Frank Sewell, University of Ulster ). 55. The Anxiety of Influence and the Fiction of Roddy Doyle ( Danine Farquharson, Memorial University, St John′s, Newfoundland ). 56. The Reclamation of "Injurious Terms" in Emma Donoghue′s Fiction ( Jennifer M. Jeffers, Cleveland State University ). 57. Martin McDonagh and the Ethics of Irish Storytelling ( Patrick Lonergan, National University of Ireland, Galway ). Index.