The Crime Fiction Handbook
Wiley Blackwell Literature Handbooks Series

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Language: English
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The Crime Fiction Handbook
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272 p. · 16x23.6 cm · Hardback

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The Crime Fiction Handbook
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272 p. · 15.4x23.1 cm · Paperback
The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and Scandinavian texts.
  • Provides an accessible and well-written introduction to the genre of crime fiction
  • Moves with ease between a general overview of the genre and useful theoretical approaches
  • Includes a close analysis of the key texts in the crime fiction tradition
  • Identifies what makes crime fiction of such cultural importance and illuminates the social and political anxieties at its heart.
  • Shows the similarities and differences between British, American, and Scandinavian crime fiction traditions

 



Acknowledgments vii

Introductory Note ix

Part 1 Introduction 1

Part 2 The Politics, Main Forms, and Key Concerns of Crime Fiction 9

The Politics of Crime Fiction 11

The Types of Crime Fiction 27

Classical Detective Fiction 27

Hard-Boiled Detective Fiction 34

The Police Novel 41

Transgressor Narratives 50

Vision, Supervision, and the City 60

Crime and the Body 75

Gender Matters 85

Representations of Race 96

Part 3 Some Key Works in Crime Fiction 107

Edgar Allan Poe: “The Murders in the Rue Morgue” (1841) 109

Arthur Conan Doyle: The Sign of Four (1890) 116

Agatha Christie: The Murder of Roger Ackroyd (1926) 127

Dashiell Hammett: The Maltese Falcon (1930) 136

Raymond Chandler: The Big Sleep (1939) 143

James M. Cain: Double Indemnity (1936) 151

Patricia Highsmith: The Talented Mr. Ripley (1955) 159

Chester Himes: Cotton Comes to Harlem (1965) 167

Maj Sjöwall and Per Wahlöö: The Laughing Policeman (1968) 176

James Ellroy: The Black Dahlia (1987) 187

Thomas Harris: The Silence of the Lambs (1988) 198

Patricia Cornwell: Unnatural Exposure (1997) 208

Ian Rankin: The Naming of the Dead (2006) 218

Stieg Larsson: The Girl with the Dragon Tattoo (2005) 227

End Note 241

References 243

Index 253

Peter Messent is Emeritus Professor of Modern American Literature at the University of Nottingham. A specialist on Mark Twain, Ernest Hemingway, and crime fiction, he has published numerous books and articles on a variety of nineteenth- and twentieth-century American writers. His most recent publication is the prize-winning book Mark Twain and Male Friendship (2009).