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Revival: The Interpreter Geddes (1928) The Man and His Gospel Routledge Revivals Series

Langue : Anglais

Auteur :

Couverture de l’ouvrage Revival: The Interpreter Geddes (1928)

From Book?s Foreward

What so strongly attracted me in Patrick Geddes when I came to know him in India was, not his scientific achievements, but, on the contrary, the rare fact of the fullness of his personality rising far above his science. Whatever subjects he has studies and mastered have become vitally one with his humanity. He has the precision of the scientist and the vision of the prophet; and at the same time, the power of the artist to make his ideas visible through the language of symbols. His love of Man has given him the insight to see the truth of Man, and his imagination to realize in the world the infinite mystery of life and not merely its mechanical aspect.

I The Masque of Learning II. The Cities and Town Planning III. The Outlook Tower IV. The Returning God – Olympus V. The Notation of Life – Parnassus VI. Geddes in His Garden VII. A Botanist Looks at the World VIII. Art aand Sex IX. Cities in Devolution X. Education, Politics, Housing XI. Scotland and France XII. Jerusalem XIII. Montpellier XIV. Last Words XV. Five Friendly Critics

Rabindranath Tagore FRAS, also written Ravīndranātha Thākura (7 May 1861 – 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. Sometimes referred to as "the Bard of Bengal", Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.

A Pirali Brahmin from Calcutta with ancestral gentry roots in Jessore, Tagore wrote poetry as an eight-year-old. At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist internationalist, and ardent anti-nationalist, he denounced the and advocated independence from Britain. As an exponent of the, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy endures also in the institution he founded, Visva-Bharati University.

Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed—or panned—for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem

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