A Companion to Eighteenth-Century Poetry
Blackwell Companions to Literature and Culture Series

A COMPANION TO & EIGHTEENTH-CENTURY POETRY
Edited by Christine Gerrard

This wide-ranging Companion reflects the dramatic transformation that has taken place in the study of eighteenth-century poetry over the past two decades. New essays by leading scholars in the field address an expanded poetic canon that now incorporates verse by many women poets and other formerly marginalized poetic voices. The volume engages with topical critical debates such as the production and consumption of literary texts, the constructions of femininity, sentiment and sensibility, enthusiasm, politics and aesthetics, and the growth of imperialism.

The Companion opens with a section on contexts, considering eighteenth-century poetry?s relationships with such topics as party politics, religion, science, the visual arts, and the literary marketplace. A series of close readings of specific poems follows, ranging from familiar texts such as Pope?s The Rape of the Lock to slightly less well-known works such as Swift?s ?Stella? poems and Lady Mary Wortley Montagu?s Town Eclogues. Essays on forms and genres, and a series of more provocative contributions on significant themes and debates, complete the volume. The Companion gives readers a thorough grounding in both the background and the substance of eighteenth-century poetry, and is designed to be used alongside David Fairer and Christine Gerrard?s Eighteenth-Century Poetry: An Annotated Anthology (3^rd edition, 2014).

Notes on Contributors ix

Acknowledgments xv

Introduction 1
Christine Gerrard

Part I Contexts and Perspectives 5

1 Poetry, Politics, and the Rise of Party 7
Christine Gerrard

2 Poetry, Politics, and Empire 23
Suvir Kaul

3 Poetry and Science 38
Clark Lawlor

4 Poetry and Religion 53
Emma Mason

5 Poetic Enthusiasm 69
John D. Morillo

6 Poetry and the Visual Arts 83
Robert Jones

7 Poetry, Popular Culture, and the Literary Marketplace 97
George Justice

8 Women Poets and Their Writing in Eighteenth-Century Britain 111
Charlotte Grant

9 Poetry, Sentiment, and Sensibility 127
Jennifer Keith

Part II Readings 143

10 John Gay, The Shepherd’s Week 145
Mina Gorji

11 Alexander Pope, The Rape of the Lock and “Eloisa to Abelard” 157
Valerie Rumbold

12 Jonathan Swift, the “Stella” Poems 170
Ros Ballaster

13 Lady Mary Wortley Montagu, Six Town Eclogues and Other Poems 184
Isobel Grundy

14 James Thomson, The Seasons 197
Christine Gerrard

15 Stephen Duck, The Thresher’s Labour, and Mary Collier, The Woman’s Labour 209
John Goodridge

16 Mary Leapor, “Crumble-Hall” 223
David Fairer

17 Mark Akenside, The Pleasures of Imagination 237
Adam Rounce

18 Samuel Johnson, London and The Vanity of Human Wishes 252
David F. Venturo

19 William Collins, “Ode on the Poetical Character” 265
John Sitter

20 Thomas Gray, Elegy Written in a Country Church Yard 277
Suvir Kaul

21 Christopher Smart, Jubilate Agno 290
Chris Mounsey

22 Oliver Goldsmith, The Deserted Village, and George Crabbe, The Village 303

Caryn Chaden

23 William Cowper, The Task 316
Freya Johnston

24 Robert Burns, “Tam o’ Shanter” 329
Murray Pittock

Part III Forms and Genres 339

25 Rhyming Couplets and Blank Verse 341
Richard Bradford

26 Epic and Mock-Heroic 356
Richard Terry

27 Verse Satire 369
Brean Hammond

28 The Ode 386
Margaret M. Koehler

29 The Georgic 403
Juan Christian Pellicer

30 The Verse Epistle 417
Bill Overton

Part IV Themes and Debates 429

31 The Constructions of Femininity 431
Kathryn R. King

32 Whig and Tory Poetics 444
Abigail Williams

33 The Classical Inheritance 458
David Hopkins

34 Augustanism and Pre-Romanticism 473
Thomas Woodman

35 Recovering the Past: Shakespeare, Spenser, and British Poetic Tradition 486
Carolyn D. Williams

36 The Pleasures and Perils of the Imagination 500
Paul Baines

37 The Sublime 515
Shaun Irlam

38 Poetry and the City 534
Markman Ellis

39 Cartography and the Poetry of Place 549
Rachel Crawford

40 Rural Poetry and the Self-Taught Tradition 563
Bridget Keegan

41 Poetry Beyond the English Borders 577
Gerard Carruthers

Index 590

Christine Gerrard is Fellow and Tutor in English at Lady Margaret Hall, Oxford University. She is the author of Aaron Hill: The Muses’ Projector, 1685—1750 (2003) and The Patriot Opposition to Walpole: Politics, Poetry, and National Myth, 1725—1742 (1994), and editor of The Cambridge Edition of The Correspondence of Samuel Richardson: Correspondence with Aaron Hill and the Hill Family (2013). She is the co-editor, with David Fairer, of Eighteenth-Century Poetry: An Annotated Anthology (3^rd edition, 2014).