Exhibiting Craft and Design Transgressing the White Cube Paradigm, 1930–Present
Coordonnateur : Myzelev Alla
Exhibiting Craft and Design:Transgressing the White Cube Paradigm, 1930?present investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and in recent years. The case studies discussed in this volume explain the notion the neutral display space had worked with, challenged, distorted, or assisted in conveying the ideas of the exhibitions in question. In various ways the essays included in this volume analyse and investigate strategies to facilitate interaction amongst craft and design objects, their audiences, exhibiting bodies, and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends, the authors create a dialogue that investigates the different uses of and challenges to the White Cube paradigm of space organization.
List of Figures
Notes on Contributors
Acknowledgments
Dedication
1. Introduction: The Persistence of the White Cube Paradigm
Alla Myzelev
2. Textiles on Display
Virginia Troy
3. Crafting Koreanness: How Korean National Identity Became Interwoven with the Handmade Object in the 20th Century
Christine Y. Hahn
4. Within the Guilded Cage
Simon Olding
5. Curatorial Strategies that Remain True to the Craft Object
Gloria Hickey
6. Quiet Revolution: Contemporary Curatorial Approaches to Ceramics in the White Cube
Laura Gray
7. Jewellery Can be Worn Too
Roberta Bernabei
8. Store/Museum
Sara Nasby and Jen Hutton
9. ‘I Could Have Visited Ikea for Free’ Design Museums and a Complicated Relationship with Commerce
Elise Hodson
10. Outside the White Cube
Lisa Vinebaum
11. Afterword
Alla Myzelev
Alla Myzelev is Visiting Assistant Professor, SUNY Geneseo, USA.
Date de parution : 09-2020
17.4x24.6 cm
Date de parution : 05-2017
17.4x24.6 cm
Thèmes d’Exhibiting Craft and Design :
Mots-clés :
White Cube Paradigm; Edmund De Waal; craft; Contemporary Ceramics Practice; design history; Ter Haar Romeny; modern art; White Cube; contemporary art; Craft Objects; museum studies; Middlesbrough Institute; exhibition studies; Contemporary Ceramics; exhibition history; Good Design Exhibitions; modernism; High Cross House; museology; James Beighton; display; Design Exhibition; design objects; Vice Versa; twentieth century; Eero Saarinen; curators; Exhibition Catalogue; curatorial studies; Studio Craft; Virginia Gardner Troy; White Space; Christine Y; Hahn; Contemporary Craft; Simon Olding; Studio Craft Movement; Gloria Hickey; Super Normal; Laura Gray; Ancient Korea; Roberta Bernabei; Dorset History Centre; Jen Hutton; Korean Art; Sarah Nasby; Ted Noten; Elise Hodson; Design Museums; Lisa Vinebaum
