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Facial Hair and the Performance of Early Modern Masculinity Studies in Performance and Early Modern Drama Series
Auteur : Rycroft Eleanor
Facial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity.
According to medical, cultural, and literary discourses of early modern era in England, facial hair marked adult manliness while beardlessness indicated boyhood. Beards were therefore a passport to cultural prerogatives. This book explores this in relation to the early modern stage, a space in which the processes of gender formation in early modern society were writ large, and how the uses of facial hair in the theatre illuminate the operations of power and politics in society more widely.
Written for scholars of Early Modern Theatre and Theatre History, this volume anatomises the role of beards in the construction of onstage masculinity, acknowledging the challenges offered to the dominant ideology of manliness by boys and men who misrepresented or failed to fulfil bearded masculine ideals.
Introduction; 1. Youth: Beardless boys; 2. Liminal masculinity; 3. Maturity: Lovers and bearded manhood; 4. Old age: Greybeards and the decline of manliness; Afterword: The nest of beards
Eleanor Rycroft is a lecturer in Theatre and Performance at the University of Bristol. A theatre historian of early English and Scottish drama, her research often involves practical explorations of plays. Recent publications include a co-edited special edition of The Shakespeare Bulletin, as well as book chapters for Oxford University Press, Palgrave, and Ashgate. She has written on material cultures of the early modern stage, theatre at the court of Henry VIII, practice-as-research, and the historical performance of witchcraft.
Date de parution : 09-2021
15.6x23.4 cm
Date de parution : 07-2019
15.6x23.4 cm
Thèmes de Facial Hair and the Performance of Early Modern Masculinity :
Mots-clés :
Young Man; Edward III; Beard; Wild Man; Moustache; White Head; Sideburn; Sir Giles Goosecap; Masculinity; Early Modern Masculinity; Boy; Jack Drum’s Entertainment; Marlowe; Facial Hair; Ganymede; Dekker’s Shoemaker’s Holiday; Puberty; Robert Wintour; Manhood; Honest Man’s Fortune; Lear; Gunpowder Plot Conspirator; early-modern society; Haec Vir; trimness; Early Modern; onstage masculinity; Irish Sea Province; modern-day moustaches; Beard Colour; Plato’s Receptacle; Beardless Boys; Queen’s Revels; False Beards; Gold Beard; Cross-dressed Female; Smooth Boy; Boy Actor; Early Modern Stage