Fairy Tale The New Critical Idiom Series
Auteur : Teverson Andrew
This volume offers a comprehensive critical and theoretical introduction to the genre of the fairy tale. It:
- explores the ways in which folklorists have defined the genre
- assesses the various methodologies used in the analysis and interpretation of fairy tale
- provides a detailed account of the historical development of the fairy tale as a literary form
- engages with the major ideological controversies that have shaped critical and creative approaches to fairy tales in the twentieth and twenty-first centuries
- demonstrates that the fairy tale is a highly metamorphic genre that has flourished in diverse media, including oral tradition, literature, film, and the visual arts.
Introduction 1. Definitions 2. The Establishment of a Literary Genre 3. Critical Methodologies 4. Fairy Tales and Ideology in the Twentieth and Twenty-First Centuries 5. An Adaptable Genre: Multi-Media Fairy Tale Conclusion
Date de parution : 05-2013
12.9x19.8 cm
Date de parution : 05-2013
12.9x19.8 cm
Thème de Fairy Tale :
Mots-clés :
Fairy Tale; Andrew Teverson; New Critical Idiom; NCI; Children's Literature; John Drakakis; HANS CHRISTIAN ANDERSEN; Yellow Dwarf; Tom Tit Tot; Human Suffering; Folk Narratives; Red Riding Hood; La Houppe; Popular Traditional Tale; Son’s Nurse; Snow Queen; Steadfast Tin Soldier; Ipswich Journal; Young Men; Rushdie 2010a; Madame De Maintenon; Formula Tale; Frog King; Folk Lore Society; Jocular Tales; Robber Girl; Grimm Collection; Fairy Tale Writers; Popular Narrative Traditions; Donkey Skin