Postmodernism, Twenty-First Century Culture, and American Fiction
Establishing the Continuum
Routledge Research in American Literature and Culture Series

Postmodernism?s ?end? is a complex and contentious topic. Yet, one overarching consensus emerges: the postmodern has been surpassed. This book poses a thought experiment challenging this position ? what if postmodernism persists within the twenty-first century?

Rather than designate a new epoch or coherent movement, this book interrogates the fragmented, contradictory, and counterintuitive endurance of postmodern aesthetics within post-Cold War America. By decoupling postmodern aesthetics from their twentieth century historical location, an alternative use of postmodern aesthetics becomes possible. Collectively, these repetitions posit a postmodern continuum, contrasting the widely called for succession of postmodernism via this decoupling. When postmodern aesthetics are no longer unconsciously repeated within their cultural moment, this emergent shift within a period ?after? postmodernism presents an alternative historical positioning and use. After their cultural vanguard, postmodern aesthetics become a confrontation of the chaotic realism of an inescapable post-Cold War capitalism, tapping into this cultural zeitgeist through literature.

Acknowledgments

Introduction

1. Hallucinatory Reality, Unreliable Narration: From American Psycho to Post-Truth America

1. Terroristic Nihilism in Empire of the Senseless and Fight Club: The Constructive Limits of Violence After the End of History

1. Revitalizing Transgressive Excess: Limitation, Waste & Reuse in Love Creeps and Sadie: The Sadist

1. Digital Regression: Mourning, Reuse & ‘Bad’ Reading in God Jr. and Zac’s Control Panel

1. Contesting Categorization: Subjectivity, Race & Metafiction in Percival Everett by Virgil Russell and The Sympathizer

1. The Politics of Repetition: Nostalgia, Appropriation & Postmodern Aesthetics in Taipei and You Too Can Have a Body Like Mine

Conclusion

Index

Matt Graham is a PhD graduate from Manchester Metropolitan University. His research interests include contemporary literature, American culture, experimental writing, the legacy of postmodernism, and both cultural and continental theory. He has taught narrative theory and American fiction at Manchester Metropolitan University, and currently teaches academic skills as part of his Specialist Mentor role at Leeds Beckett University.