Description
The Spectacle of Politics and Religion in the Contemporary Turkish Cinema, Softcover reprint of the original 1st ed. 2018
Author: Thwaites Diken Ebru
Language: EnglishSubjects for The Spectacle of Politics and Religion in the...:
Keywords
Turkish cinema; Turkish film; Political cinema; Religion on screen; contemporary cinema; religion and cinema; the spectacle; governmentality; religion in Turkey; art and religion; religion and philosophy; contemporary Turkey; Moderate Islam; Gölgesizler; İftarlık Gazoz; İtirazım Var; Takva; Ulak; religion and society
Approximative price 52.74 €
In Print (Delivery period: 15 days).
Add to cart the print on demand of Thwaites Diken EbruPublication date: 12-2018
Support: Print on demand
Approximative price 52.74 €
In Print (Delivery period: 15 days).
Add to cart the print on demand of Thwaites Diken EbruPublication date: 03-2018
Support: Print on demand
Description
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This book explores how politics, religion and cinema encounter and re-invent each other in contemporary Turkish cinema. It investigates their common origin?the spectacle, which each field views as an instrument of governmentality. The book analyses six recent, some of which are internationally known Turkish films: The Messenger (Ulak), A Man?s Fear of God (Takva), Let?s Sin (?tiraz?m Var), SixtyOne Days (?ftarl?k Gazoz), The Imam and The Shadowless (Gölgesizler). Thwaites discusses how the cinematic nature of politics and religion unfold amidst the increasing media visibility of religion in contemporary Turkey. The chapters explore the relationship between art and religion, and compare religion and philosophy in their relation to truth, belief, and economy. Through close examination of these films, the author highlights the role of cinema in contemporary Turkey and at the heart of the religious paradigm.
Ebru Çiğdem Thwaites Diken is Assistant Professor of Sociology at İstinye University, Turkey.
Presents a timely discussion of religion and politics in Turkish cinema
Explores complex relationships between politics, religion and the spectacle in contemporary Turkey
Critically analyses new Turkish cinema from a sociological and film studies perspective