Description
Humanizing Visual Design
The Rhetoric of Human Forms in Practical Communication
Routledge Studies in Technical Communication, Rhetoric, and Culture Series
Author: Kostelnick Charles
Language: EnglishSubjects for Humanizing Visual Design:
Keywords
Iowa State University; Virginia Commonwealth University Libraries; technical communication; Young Man; visual communication; Oregon State University Libraries; visual studies; Public Information Signs; data visualization; Courtesy National Gallery; rhetorical theory; Getty’s Open Content Program; art history; Iowa State University Extension; design studies; University Archives; pathos; Getty Research Institute; business communication; Online Buying Experiences; professional communication; Pathos Appeals; Miles Kimball; Flatford Mill; Charles Sides; Rounded Extremities; National Agricultural Library; Graphical Cues; Woodcutting Machine; Fine Arts Images; Disembodied Arms; Visual Synecdoche; WPA Mural; Popular Tv Show; Ginevra De; Applied Pictures; Cultural Saturation
Publication date: 12-2020
· 15.2x22.9 cm · Paperback
Publication date: 04-2019
· 15.2x22.9 cm · Hardback
Description
/li>Contents
/li>Readership
/li>Biography
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This book analyzes the role that human forms play in visualizing practical information and in making that information understandable, accessible, inviting, and meaningful to readers?in short, "humanizing" it.
Although human figures have long been deployed in practical communication, their uses in this context have received little systematic analysis. Drawing on rhetorical theory, art history, design studies, and historical and contemporary examples, the book explores the many rhetorical purposes that human forms play in functional pictures, including empowering readers, narrating processes, invoking social and cultural identities, fostering pathos appeals, and visualizing data.
The book is aimed at scholars, teachers, and practitioners in business, technical, and professional communication as well as an interdisciplinary audience in rhetoric, art and design, journalism, engineering, marketing, science, and history.
Introduction
1. Foundations for Picturing Human Forms: Conventions, Historical Context, and the Confluence of the Fine and Applied Arts
2. Human Forms in Action: Agency and Empowerment, both Individual and Collective
3. Animating Visual Narratives with Agency: Temporality, Pictures, and Human Forms
4. Figures in Cultural Context: Envisioning Identity with Human Forms
5. Emotional Appeals in Picturing People: The Rhetoric of Equanimity and Distress
6. Humanizing Data Visualization: The Rhetorical Dynamics of Designing Data with Human Forms
Conclusion/Epilogue
Charles Kostelnick is Professor of English at Iowa State University, USA