Early Music History: Volume 10
Studies in Medieval and Early Modern Music
Early Music History Series, Vol. 10

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume ten include: Machaut's motet 15 and the Roman de la Rose: the literary context of Amours qui a le pouoir/Faus Samblant m' a deceii/Vidi Dominum; Giulo de' Medici's music books; Parisian nobles, a Scottish princess and the woman's voice in late medieval song.

1. Machaut's motet 15 and the Roman de la rose: the literary context of Amours qui a le pouoir/Faus Samblant m'a deceii/Vidi Dominum Kevin Brownlee; 2. Decpetion, exegesis and sounding number in Machaut's motet 15 Margaret Bent; 3. 'Figura poetica molto vaga': structure and meaning in Rinuccini's Euridice Bojan Bujic; 4. Giulio de' Medici's music books Anthony M. Cummings; 5. On the staging of madrigal comedies Martha Farahat; 6. Parisian nobels, a Scottish princess and the woman's voice in late medieval song Paula Higgins; 7. The earliest sources of Notker's sequences: St Gallen, Vadiana 317 and Paris, Bibliotheque Nationale lat. 10587 Susan Rankin; 8. Petrus de Domarto's Missa Spiritus almus and the early history of the four-voice mass in the fifteenth century Rob C. Wegman; Reviews.