Description
Easels of Utopia
Art's Fact Returned
Routledge Revivals Series
Author: Baldacchino John
Language: EnglishSubject for Easels of Utopia:
Keywords
Referential Exchange; Adorno; Great Popular Masses; Art; Caravaggio’s Depiction; Bourgeois Heritage; Sorelian Notion; Common Sense; Spencer’s Art; Communism; Caravaggio’s Work; Communist; Nietzsche 1982b; Connections; Il Funerale; Culture; Marinetti’s Futurism; Death; Metaphysical Art; Distance; Individuating Property; Entangled; Tight Rope Walking; Ethical Objections; Rational Dogmatism; Excurus; Popular Hagiography; Grammar; Human Suffering; Gramsci; Marini’s Work; Historic autonomous; Futurist Movement; Human Conditions; Self-perceived Memory; Humanism; Performative Happenings; Humanist fallacies; Italianate Insularity; Identity; Seminal Reasons; Image; Singular Presentation; Imagery; Plastic Dynamism; John Baldacchino; Plastic Materiality; Lukacs; Realist Abstraction; Marxian; Marxism; Mimesis; Negative Discourse; Parodies; Post-Marxist; Re-placement; Realism; Relevance; Telos; Totality; Tragedy; Translations
Approximative price 40.18 €
In Print (Delivery period: 14 days).
Add to cart the book of Baldacchino JohnPublication date: 03-2021
· 15.6x23.4 cm · Paperback
Approximative price 117.69 €
In Print (Delivery period: 14 days).
Add to cart the book of Baldacchino JohnPublication date: 07-2018
· 15.6x23.4 cm · Hardback
Description
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Originally published in 1998, Easels of Utopia presents a discussion of art's duration and contingency within the avant garde's aesthetic parameters, which throughout this century have constructed, influenced, and informed our definitions of modernity. In this context the book reads Umberto Boccioni's Futurism as reminiscent of Thomist realism; proposes Caravaggism's historical relevance to the election of individuality in post-war realism; and draws the readers attention to the aesthetic implications in Carlo Carrà's metaphysical art and its reappraisal of the early Renaissance. Following a contextual analysis of the historic avant-garde in Part One, Part Two presents parallel discussions of Italian and British questions, articulated by the works of Marino Marini, Francis Bacon, Renato Guttuso and Stanley Spencer in their return to individuality within art's aesthetic construct. The author argues that this initiates a return to 'lost' beginnings where form seeks knowledge, content regains an ability to anarchize, and art recognizes its contingent condition.
Acknowledgements Modus Operandi Part I: Contexts of Quidditas 1. Name, Tragedy, Farce. The Story so Far 2. Searching in Absolute. Aquinas, Bergson, Boccioni 3. Ethical Plasticism. Boccioni, Carrà, Marinetti 4. Myth, Duration. Croce, Sorel, Bergson Part II: Utterance of Fact 5. Re-Beauty. Carrà, Duns Scotus, De Chirico 6. Caravaggist Genealogies. Caravaggio, Hegel 7. Aeneas’s Guise. Marini, Bacon 8. Rehearsals. Spencer, Guttuso Bibliography
John Baldacchino