Genre Trouble and Extreme Cinema, Softcover reprint of the original 1st ed. 2017
Film Theory at the Fringes of Contemporary Art Cinema

This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ?extreme cinema?. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films? forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.

Develops a novel approach to contemporary film theory by building a bridge between seemingly incompatible scholars and concepts Highlights the significance of extreme cinema for film theory, genre theory, and film history Links the study of film theories of the senses to film genre theory, establishing new parallels between Linda Williams’s “body genres” and contemporary iterations of them, with particular attention paid to the burgeoning field of pornography studies Includes supplementary material: sn.pub/extras