Description
The Gypsy Caravan
From Real Roma to Imaginary Gypsies in Western Music
Current Research in Ethnomusicology: Outstanding Dissertations Series
Author: Malvinni David
Language: EnglishKeywords
music; latcho; drom; michael; beckerman; style; hongrois; hungarian; rhapsodies; musicians; Gypsy Music; Young Man; Latcho Drom; Style Hongrois; Liszt’s Hungarian Rhapsody; Hungarian Music; Gypsy Hungarian Music; Gypsy Caravan; Hungarian Rhapsody; Peasant Music; Red Violin; Cd Liner Note; Gypsy Girls; Gypsy Woman; Notre Dame De Paris; Program Music; Gypsy Bands; Hungarian Popular Music; Hungarian Dance; Hungarian Folk Song; King John III; John III; Dead Man; Rimsky Korsakov’s Scheherazade; Liszt Rhapsody
Publication date: 08-2014
Support: Print on demand
Publication date: 05-2004
· 15.2x22.9 cm · Hardback
Description
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Preface Acknowledgments Chapter One: The Relative Neglect of Gypsy Music: Nationalism, Interest, and Advocacy in Musicology Chapter Two: Alms, Virgins, and Feuerzeichen: Literature's Place in Configuring Gypsiness Chapter Three: A Nineteenth-Century Tale of Two Others: Gypsy Improvisation and the Exotic Remainder Chapter Four: Nomads and the Rhizome: Becoming Gypsy Chapter Five: Brahms's Hungarian Dance no. 5 and the Dynamics of Exaggeration Chapter Six: The Poetics of Gypsiness in Liszt's Hungarian Rhapsodies Chapter Seven: Gypsies and Vol'nost' in Russian Music: Aleko Chapter Eight: Gypsy Pleroma: Janacek's Diary of One Who Disappeared Chapter Nine: The Specter of Bartók: From Hungarian Musicology to the Folk-Music Revival Chapter Ten: Gypsiness in Film Music: Spectacle and Act Chapter Eleven: O lunga drom: The Digital Migration of Gypsy Music Musical Examples Gypsy Music Discography References Index
David Malvinni holds a Ph.D. in Musicology from the University of California, Santa Barbara. He teaches music courses at Santa Barbara City College, and has taught at UCSB.