Hitchcock & the Anxiety of Authorship, 1st ed. 2015

Hitchcock and the Anxiety of Authorship examines issues of cinema authorship engaged by and dynamized within the director's films. A unique study of self-reflexivity in Hitchcock's work from his earliest English silents to his final Hollywood features, this book considers how the director's releases constitute ever-shifting meditations on the conditions and struggles of creative agency in cinema. Abramson explores how, located in literal and emblematic sites of dramatic production, exhibition, and reception, and populated by figures of directors, actors, and audiences, Hitchcock's films exhibit a complicated, often disturbing vision of authorship - one that consistently problematizes rather than exemplifies the director's longstanding auteurist image. Viewing Hitchcock in a striking new light, Abramson analyzes these allegories of vexed agency in the context of his concepts of and commentary on the troubled association between cinema artistry and authorship, as well as the changing cultural, industrial, theoretical, and historical milieus in which his features were produced. Accordingly, the book illuminates how Hitchcock and his cinema register the constant dynamics that constitute film authorship.

Introduction: Self-Reflexivity in Hitchcock's Cinema & Struggles of Authorship
PART I: COMPROMISING POSITIONS: THE DIRECTOR
1. Introduction
2. Murder!
3. Sabotage
4. Notorious
5. Vertigo
6. Psycho
PART II: DRAMATIC ARTFULNESS: THE ACTOR
7. Introduction
8. The Lodger
9. The 39 Steps
10. Spellbound
11. Marnie
PART III: DISTURBING SIGHTS: THE AUDIENCE
12. Introduction
13. The Ring
14. The Man Who Knew Too Much
15. Strangers on a Train
16. Rear Window
17. The Birds
Appendix: In Brief - Hitchcock's Cameos

Leslie H. Abramson, an adjunct professor at the Loyola University Chicago School of Law, USA, is a film scholar teaching cinema and law. Her essays have been published in Hitchcock and Adaptation (2014), American Cinema of the 1960s (2008), In the Limelight and Under the Microscope: Forms and Functions of Female Celebrity(2011), New Constellations: Movie Stars of the 1960s (2012), and various journals. She holds a PhD from the University of Chicago.