Literature and Culture of the Chicago Renaissance Postmodern and Postcolonial Development
Coordonnateur : Hakutani Yoshinobu
The Chicago Renaissance has long been considered a less important literary movement than the Harlem Renaissance. While the Harlem Renaissance began and flourished during the 1920s, but faded during the 1930s, the Chicago Renaissance originated between 1890 and 1910, gathered momentum in the 1930s, and paved the way for the postmodern and postcolonial developments in American Literature. To portray Chicago as a modern, spacious, cosmopolitan city, the writers of the Chicago Renaissance developed a new style of writing based on a distinct cultural aesthetic that reflected ethnically diverse sentiments and aspirations. Whereas the Harlem Renaissance was dominated by African American writers, the Chicago Renaissance originated from the interactions between African and European American writers. Much like modern jazz, writings in the movement became a hybrid, cross-cultural product of black and white Americans. The second period of the movement developed at two stages. In the first stage, the older generation of African American writers continued to deal with racial issues. In the second stage, African American writers sought solutions to racism by comparing American culture with other cultures. The younger generation of African American writers, such as Ishmael Reed, Charles Johnson, and Colson Whitehead, followed their predecessors and explored Confucianism, Buddhist Ontology, and Zen.
This volume features essays by both veteran African Americanists and upcoming young critics. It is highlighted by essays from scholars located around the globe, such as Toru Kiuchi of Japan, Yupei Zhou of China, Mamoun Alzoubi of Jordan, and Babacar M'Baye of Senegal. It will be invaluable reading for students of Americanists at all levels.
Introduction
Part I: Interactions of African and European American Writers
Chapter 1: "The Chicago Renaissance, Dreiser, and Wright’s Spatial Narrative"
Chapter 2: "Chicago as Metaphor in the Writings of Dreiser and Wright: Tracing the Literary Lineage"
Chapter 3: "Dreiser’s ‘Nigger Jeff,’ Wright’s ‘Big Boy Leaves Home,’ and Lynching"
Chapter 4: "Chicago in Dreiser’s Sister Carrie, James Farrell’s Studs Lonigan, and Wright’s Native Son"
Part II: African American Writers and Race Issues
Chapter 5: "The Federal Writers’ Project in Chicago and Its Impact on the Second Chicago Renaissance"
Chapter 6: "Wright’s TheLong Dream as Racial and Sexual Discourse" -- Yoshinobu Hakutani
Chapter 7: "Frank Marshall Davis of Chicago and the Young Barack Obama of Hawaii"
Chapter 8: "Landscapes of the Imagination: Clarence Major, Leon Forest, and the Black Chicago Renaissance"
Chapter 9: "The Intuitionist and The Underground Railroad: Colson Whitehead’s Coping with Race Issues"
Part III: Transnational and Crosscultural Visions in African American Postmodernism
Chapter 10: "The Western and Eastern Thoughts of Ralph Ellison’s Invisible Man"
Chapter 11: "Wright and Transnationalism: A Reading of Pagan Spain"
Chapter 12: "Ishmael Reed’s Mumbo Jumbo: A Reading through Confucianism"
Chapter 13: "Ishmael Reed’s Japanese By Spring: A Satire on the Western View of Japanese Culture"
Chapter 14: "‘All Narratives Are Lies, Man, an Illusion’: Buddhism, Postmodernism, and Postcolonialism in Charles Johnson’s Middle Passage and Dreamer"
Chapter 15: "African Legacy and Chicago Politics in Barack Obama’s Dreams from My Father"
Synopses
Yoshinobu Hakutani teaches in the English department at Kent State University in Ohio, USA, where he is also a University Distinguished Scholar.
Date de parution : 07-2019
15.2x22.9 cm
Date de parution : 07-2019
15.2x22.9 cm
Thème de Literature and Culture of the Chicago Renaissance :
Mots-clés :
Young Man; White Law; richard wright; Jes Grew; dreiser; Bosom Friend; american modernism; Book III; harlem renaissance; South Side Community Art Center; great depression; Uncle Tom’s Children; nigger jeff; Pagan Spain; big boy leaves home; Chicago Renaissance; jazz; Chicago’s Black Belt; race; Studs Lonigan; langston hughes; Invisible Man; ralph ellison; Young Obama; the chicago defenders; Barry’s Father; black boy; African American Literary Studies; the invisible man; Davis’s Advice; african american writers; Wright’s Story; lynching; Davis’s Poems; black power; Atlanta Daily World; land of pathos; Carrie Meeber; ashanti culture; Young Lonigan; the color curtain; Cross-racial Alliance; blues; Margaret Walker; yeats; Ishmael Reed; james joyce; Air Hostess; O'Casey; trueblood; mumbo jumbo; japanese by spring; american identity; philosophy; aestetics; middle passage; dreamer; postcolonial literature; sister carrie; federal writers; the long dream; Barack Obama; frank marshall davis; sexual discourse; clarence major; leon forest; black chicago renaissance; intuitionist; the underground railroad; confucianism; satire; buddhism; postmodernism; dreams from my father; American literature; Asian cultures