Meanings of Abstract Art Between Nature and Theory Routledge Advances in Art and Visual Studies Series
Coordonnateurs : Crowther Paul, Wünsche Isabel
Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense?the world of recognisable objects, creatures, organisms, processes, and states of affairs).
Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.)
The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.
Selected Contents: 1. Life into Art: Nature Philosophy, the Life Sciences, and Abstract Art Isabel Wünsche 2. Mondrian’s First Diamond Composition: Spatial Totality and the Plane of the Starry Sky Marek Wieczorek 3. Man, Space and the Zero of Form: Kazimir Malevich’s Suprematism and the Natural World Christina Lodder 4. The Role of Mathematical Structure, Natural Form and Pattern in the Art Theory of Wassily Kandinsky: The Quest for Order and Unity Christopher Short 5. "We want to produce like a plant that produces a fruit": Hans Arp and the "Nature Principle" Astrid von Asten 6. Natural Forces and Phenomena as Inspiration and Meaning in Early American Abstraction Herbert R. Hartel, Jr. 7. Jackson Pollock: The Sin of Images Elizabeth Langhorne 8. Clyfford Still’s Regionalist Shamanism Stephen Polcari 9. "Man is Present": Barnett Newman’s Search for the Experience of the Self Eva Ehninger 10. Nature, Entropy, and Robert Smithson’s Utopian Vision of a Culture of Decay John G. Hatch 11. Embodied Nature: Isamu Noguchi’s Intetra Fountain Dominika Glogowski 12. The Arte Povera Experience: Nature Re-Presented Laura Petican 13. Nature’s Hand: Writing Abstraction in the Work of Henri Michaux Birgit Mersmann 14. Abstract Art and Techno-Nature: The Postmodern Dimension Paul Crowther 15. Art, Beauty, and the Sacred: Four Ways to Abstraction Karsten Harries 16. The Complexities of "Abstracting" from Nature Andrew Inkpin 17.Meaning in Abstract Art: From Ur-Nature to the Transperceptual Paul Crowther
Paul Crowther is Chair of Philosophy at the National University of Ireland, Galway
Isabel Wünsche is Professor of Art and Art History at Jacobs University, Bremen
Date de parution : 10-2016
15.2x22.9 cm
Date de parution : 07-2012
Ouvrage de 314 p.
15.2x22.9 cm
Thème de Meanings of Abstract Art :
Mots-clés :
Wunsche; modern art; classical modernism; post-war abstraction; philosophy of art; pollock; kandinsky; mondrian; early American abstraction; Malevich; Arp; Newman; smithson; Michaux; Paul Gauguin; art history; Vice Versa; Diamond Composition; Wassily Kandinsky; Kazimir Malevich; Suprematist Compositions; Mikhail Matiushin; Mathematical Expressions; Willem De Kooning; De Kooning; Mondrian’s Composition; Abstract Art; West Palm Beach; El Anatsui; Arthur Dove; Ai Weiwei; Pierre Soulages; Arte Povera; Vir Heroicus Sublimis; Universal Writing; Suprematist Painting; Autumn Rhythm; Entropic Framework