Narrative in the Professional Age
Transatlantic Readings of Harriet Beecher Stowe, Elizabeth Stuart Phelps, and George Eliot
Literary Criticism and Cultural Theory Series

Challenging previous studies that claim anxiety and antagonism between transatlantic Victorian authors, Jennifer Cognard-Black uncovers a model of reciprocal influence among three of the most popular women writers of the era. Combining analyses of personal correspondence and print culture with close readings of key narratives, this study presents an original history of transatlantic authorship that examines how these writers invented a collaborative aesthetics both within and against the dominant discourse of professionalism.

1. Introduction 2. 'You are as Thoroughly Woman as you are English': Strong Femininity and the Making of George Eliot 3. 'The Wild and Distracted Call for Proof': Harriet Beecher Stowe's Lady Byron Vindicated and the New Professionalism 4. 'A More Living Interest': George Eliot's Daniel Deronda and the Politics of American Reception 5. 'Proclaiming the Royal Lineage to the Average Mind': high-Art Aesthetics, the Novel, and Competing Femininities in Elizabeth Stuart Phelps' The Story of Avis Afterward

lP>Based on lengthy interviews with Ellington's bandmates, family and friends, lEM>Duke Ellington and His Worldl/EM> offers a fresh look at this legendary composer, tracing his life and career in terms of the social, cultural, political and economic realities of his times. l/P>