Description
The Trauma Graphic Novel
Routledge Research in Cultural and Media Studies Series
Author: Romero-Jódar Andrés
Language: EnglishSubjects for The Trauma Graphic Novel:
Keywords
Graphic Novel; Young Man; comics studies; Dave Gibbons; lieterature; Alan Moore; autobiography; Direct Interior Monologue; popular culture; Spiegelman’s Work; media studies; Free Indirect Style; trauma studies; Hell Planet; literary theory; Political Trauma; Watchmen; Black Panel; Maus; Competitive Memory; psychology; Lieux De; Father’s Suicide; Caption Boxes; Benjaminian Constellation; Indirect Interior Monologue; Greek Romance; Hillary Chute; Paratextual Elements; Neil Gaiman; Lion Mask; DC Comic; Historiographic Metafiction; Popular Capitalism; Romance Element
Publication date: 12-2019
· 15.2x22.9 cm · Paperback
Publication date: 01-2017
· 15.2x22.9 cm · Hardback
Description
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The end of the twentieth century and the turn of the new millennium witnessed an unprecedented flood of traumatic narratives and testimonies of suffering in literature and the arts. Graphic novels, free at last from long decades of stern censorship, helped explore these topics by developing a new subgenre: the trauma graphic novel. This book seeks to analyze this trend through the consideration of five influential graphic novels in English. Works by Paul Hornschemeier, Joe Sacco, Art Spiegelman, Alan Moore and Dave Gibbons will be considered as illustrative examples of the representation of individual, collective, and political traumas. This book provides a link between the contemporary criticism of Trauma Studies and the increasingly important world of comic books and graphic novels.
Introduction
1. Through Traumatized Eyes: Trauma and Visual Stream-of-Consciousness Techniques in Paul Hornschemeier’s Mother, Come Home
2. Joe Sacco’s Documentary Graphic Novels Palestine and Footnotes in Gaza: The Thin Line between Trauma and Propaganda
3. From "Maus" to Metamaus: Art Spiegelman’s Constellation of Holocaust Textimonies
4. Greek Romance, Alternative History and Political Trauma in Alan Moore and Dave Gibbons’ Watchmen
Conclusion
Andrés Romero-Jódar is an Independent Scholar.